John Lennon
Started the band as a school group called the Quarrymen when he was sixteen. He wrote most of his songs with Paul, sitting face to face with two guitars.
FOUR LADS FROM LIVERPOOL
Twelve albums in seven years, and they changed how records get made.
They all grew up within a few miles of each other in Liverpool. None of them could read music.
Started the band as a school group called the Quarrymen when he was sixteen. He wrote most of his songs with Paul, sitting face to face with two guitars.
Left-handed, so he played his violin-shaped bass upside down. He also played drums, guitar and piano on records when the others weren't around.
The youngest — only fifteen when he joined. He learned the sitar from Ravi Shankar and brought Indian instruments into pop music.
The oldest, and the last to join, in August 1962. His real name is Richard Starkey. He got one song to sing on most albums.
Twelve albums between 1963 and 1970. Tap any one to find out something about it.
Most of the tricks they used had never been done on a pop record. Some were invented in the building while they waited.
A tape got threaded the wrong way round by accident and they liked it. After that they recorded guitar parts, then played the tape backwards on purpose.
John liked the start of one version and the end of another, but they were in different keys and speeds. The engineer sped one up and slowed the other until they matched, then cut the tape and joined them. You can hear the join about a minute in.
They recorded short sounds, cut the tape into rings and ran them round pencils so they repeated forever. The "seagulls" are actually a sped-up guitar and a laugh.
John hated recording his vocal twice, so an engineer at Abbey Road built a machine that copied the voice and delayed it slightly. It sounds like two people. They called it ADT.
Forty classical musicians were told to start on the lowest note their instrument could play and slide up to the highest, all at their own speed. The final chord was three pianos hit at once and held for about forty seconds.
An early keyboard with a strip of tape under every key. Press a key and it plays a recording of a real flute. It was the great-grandfather of every sampler in music today.
Thirteen years from a church fete to the last recording session.
Paul, aged fifteen, watches John's school band play at a church fete in Woolton, Liverpool, and shows him how to tune a guitar properly. John asks him to join.
They take a job playing in clubs in Germany, sometimes for eight hours a night, seven nights a week. It is where they get good.
He was already the best-known drummer in Liverpool, playing with a rival band. The line-up everybody knows is now complete.
They play a television show in New York watched by around 73 million people — roughly two out of every five Americans alive that night. Newspapers had already invented a word for the screaming crowds: Beatlemania.
Over 55,000 people, the biggest concert crowd anyone had played to. The screaming was so loud the band could not hear themselves.
Candlestick Park in San Francisco, about twenty minutes from here. They stopped touring after this and became a studio band instead.
They set up on the roof of their office in London and play to the street below without telling anyone. The police turn up and shut it down. It is their last public performance.
The band splits up. All four carry on making records on their own. They had been together, as the famous four, for seven and a half years.
This site was made by Arno for third grade, for a year all about the Beatles.
Everything here is facts, dates and stories — no song words and no photographs, because those belong to the people who made them. The pictures are drawn for this site.
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